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ART NOW Artists Responding to the Political Present » Events » Dance » Film, Video, TV » Internet & Electronica » Theater, Performance Art & Protest » Visual Art » Words
Robert Ross, an award winning singer, guitarist and songwriter known primarily for blues and rock'n' roll, has a new political protest CD entitled, "What Are We Fighting For?" on Fountainbleu Records.
The tracks include: *
One Man One Vote * To hear these and more go to www.RobertRossBand.com NoFX goes no-holds-barred with their new album the "War On Errorism." Their single based on the life an times of George W. Bush called "Idiot Son of An Asshole," is already pervading the web, and fueling online discusssions causing lots of "lol." The song employs some of Dubya's patented "straight talk" to evince a few simple issues; Bush is a questionable representative of the people at best, he is currently waging a war that many believe is immoral, and unjustified, and do we really want a man who can't non-violently eat a pretzel as the chief executive of our armed forces. Check out their site at http://nofx.org/, and go to bushflash.com for a copy of their song "Idiot Son of An Asshole."
When Mattel sued Aqua and their producer's RCA for "slandering Barbie," America's femal icon, Judge Kozinski stated that people must be able to regain a measure of control over the words and symbols burned into our collective conscious by big business. Toby Slater has done just that with his song "Consumption." In a cacophony of commercial trademarks, Toby's song "Consumption" has but one refrain; "give me something I can use." Check out this song at http://www.starbuckscocacolagap.com/ which attempts to wrest back those words and symbols that have been "burned into our collective conscious." Oh yeah and buy his CD too. (Does anyone get the sense that there is tension between anti-consumer messages and the ability to live as an artist??).
Steve Earle, a singer-songwriter, released "John Walker's Blues", a song from his forthcoming album Jerusalem. Earle's song--which features his growling voice over sparse, guitar-driven instrumentation--explores what Lindh was thinking. Earle speculates Lindh believed he would receive Jesus-like treatment if he sacrificed his life for jihad. The lyrics of the song start with "I'm just an American boy—raised on MTV/ And I've seen all those kids in the soda pop ads/ But none of 'em looked like me/ So I started lookin' around for a light out of the dim/ And the first thing I heard that made sense was the word/ Of Mohammed, peace be upon him A shadu la ilaha illa Allah/ There is no God but God." Earle says "I'm happy with the way the song came out, but I'm nervous, not for myself, but I have taken some serious liberties with Walker, speaking as him, in his voice. <...> Fundamentalism, as practiced by the Taliban, is the enemy of real thought, and religion too." Stefany Anne Golberg in collaboration with Flux Factory, Inc. presents JEWISH MUSICIANS AGAINST ISRAELI OCCUPATION on June 8th, 2002, 9pm at Galapagos Art Space in Williamsburg, Brooklyn. Bands include Jewlia Eisenberg's Charming Hostess, The Galerkin Method, Krakatoa, and more. There will be a number of groups tabling in order to provide further information about this issue. From the organizer: "This evening is a response to what I see as a lack of willingness on the part of American Jews--particularly American Jewish artists--to come out publicly ag to t Israeli Occupation and the military berating of the Palestinian people. Because of their continued financial support, strong political voice, and obvious symbolism, American Jews hold a significant responsibility for the freedom of the Palestinian people and should therefore be the amongst the most vociferous supporters of their cause...Artists have a duty to represent and argue for political positions that may be unpopular, particularly in the face of opposition from those who claim to be supporters of their work." Contact Stefany Anne Golberg at fluxfactory@aol.com. Art Now Home | About Art Now | Commemorating Sept. 11 | Approaching the Aftermath | Calls for Submission | Related Sites & Resources | Contact Art Now |
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