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©Copyright 2005 NCAC
WEB DESIGN
Jeanne Criscola Criscola Design
free speech first amendment censorship
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Ramon
Cernuda, the director of the Cuban Museum in Miami,
regularly sought artwork from artists living in
Cuba for display and auction. Because of the Cuban
embargo, and the Trading with the Enemy Act (TWEA),
however, much of the art was of questionable legality
in the United States. Due to the controversy surrounding
the museum, which included the Florida legislature's
revocation of funds, Cernuda attempted to secure
licenses to display the art by contacting the Office
of Foreign Asset Control (OFAC). OFAC never replied
to his request, and a few months later officials
from the U.S. Customs Service came to search his
residence and seize the art.
Cernuda brought suit against the Customs Service,
arguing that the art fell within the "informational
materials" exception to the TWEA, which he
said is premised on the First
Amendment and encompasses original works of
art. The government argued that the work was aesthetic,
not informational, and that the Act does not exempt
all First Amendment activity. To resolve the issue,
the U.S. District Court of the Southern District
of Florida looked to the legislative history of
the Act. Noting that the legislative history specifically
refers to the First Amendment, which views art as
a unique form of expression, the court found that
the Cuban art was protected by the amendment to
the TWEA that covered informational material. |
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Significance: |
| This
case is significant for the court’s referral
to the legislative history of the law in question
and the law’s reference to the First Amendment. |
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| These
materials are not intended, and should not be used, as
legal advice. They necessarily contain generalizations
that are not applicable in all jurisdictions or circumstances.
Moreover, court decisions may be superceded by subsequent
rulings, and may be subject to alternative interpretations.
Corrections, clarification, and additions are welcome.
Please send to ncac@ncac.org. |
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