CLAUDIO
v. U.S., (E.D.N.C. 1993)
836
F. Supp. 1219
Dayton
CLAUDIO, Plaintiff, v. UNITED STATES of America; United States
General
Services Administration; Steven S. Grant, individually and in his
capacity
as Field Office Manager for the General Services Administration
in
Raleigh; and David H. Jameson, individually and in his capacity
as
Regional
Director — Buildings Management Division for the General Services
Administration,
Defendants.
No.
92-495-CIV-5-F.
United
States District Court, E.D. North Carolina, Raleigh Division
February
2, 1993.
William G.
Simpson, Jr., N.C. Civil Liberties Union Legal
Foundation,
William D. Dannelly, Deborah K. Ross, Hunton &
Williams, Raleigh,
NC, for plaintiff.
Theodore Hirt,
U.S. Dept. of Justice, Civil Div., W. Scott
Simpson, U.S.
Dept. of Justice Federal Programs Branch Civil
Div., Washington,
DC, for defendants.
ORDER
JAMES C. FOX, Chief Judge.
This matter
is before the court on motion by defendants,
Steven S. Grant
(Grant) and David H. Jameson (Jameson) for
partial judgment
on the pleadings or, in the alternative, for
partial summary
judgment. The court already has ruled on
defendants'
contention that they were not effectively served
with process
in their individual capacities; the issue now
before the court
is whether defendants are entitled to qualified
immunity from this suit. Plaintiff has responded,
and a reply
has been filed. The matter is ripe for
disposition.
STATEMENT
OF THE CASE
Plaintiff claims
that the United States Constitution requires
that he be permitted to display a painting entitled
"Sex, Laws &
Coathangers" in the main entrance lobby of the
federal building
in Raleigh, North Carolina. He has sued the
United States,
the General Services Administration (GSA), and
two GSA officials
in their individual and official capacities.
Plaintiff seeks
declarative and injunctive relief, as well as
damages against
the individual defendants. Both parties have
submitted affidavits
in support of their respective positions
on the instant
motion.
STATEMENT
OF THE FACTS
In March, 1992,
plaintiff, a resident of California, applied
through the
GSA in Raleigh for a license to display a painting
in the main
entrance lobby of the federal building/post
office/courthouse
at 310 New Bern Avenue, Raleigh, North
Carolina. Plaintiff's
application was made pursuant to the Public
Buildings Cooperative Use Act, 40 U.S.C.
§ 490,
601a, 606,
611, 612a (the Act), which authorizes the Administrator
of the
GSA:
to make available,
on occasion, or to lease at
such rates and on such other terms and conditions
as the Administrator
deems to be in the public
interest, auditoriums, meeting rooms, courtyards,
rooftops, and
lobbies of
public buildings to persons, firms, or
organizations
engaged in cultural, educational,
or recreational activities . . . that will not
disrupt the
operation of the building.
Id.
at § 490(a)(17). The Act defines "cultural
activities" to include
"film, dramatic, dance and musical presentations,
and fine
art exhibits . . .," id.
at § 612a(6), and is intended to "encourage
the public use of public buildings for cultural,
educational,
and recreational activities," see
id. at
§ 601a(a)(4).
The regulations
promulgated under the Act allow "[a]ny
person or organization
desiring to use a public area" to apply
for a permit
with the local GSA buildings manager. 41 C.F.R.
§ 101-20.401(a).
The application must contain the following
information:
(1) Full names,
mailing addresses, and telephone
numbers of the applicant, the organization
sponoring [sic]
the proposed activity, and the
individual(s) responsible for supervising the
activity;
(2) Documentation
showing that the applicant has
authority to represent the sponsoring
organization;
(3) A description
of the proposed activity,
including the dates and times during which it
is to
be conducted and the number of persons to be
involved.
Id.
at § 101-20.401(b). GSA must issue a permit
within ten working
days of the application if approved; the permit
is not to
be issued for a period in excess of thirty days
without specific
approval. Id.
at § 101-20.402(a).
The regulations
provide that a permit may be disapproved or
cancelled if:
(1) The applicant
has failed to submit all
information required . . . or has falsified such
information;
(2) The proposed
use is a commercial activity. . .
(3) The proposed
use interferes with access to
the public area, disrupts official Government
business, interferes
with approved uses of the
property by tenants or by the public, or damages
any property;
(4) The proposed
use is intended to influence or
impede any pending judicial proceeding;
(5) The proposed
use is obscene within the
meaning of obscenity as defined in 18 U.S.C. §
1461-65;
or
(6) The proposed
use is violative of the
prohibition against political solicitations. .
. .
Id.
at § 101-20.403(a). The regulations further
provide for a written
appeal to the GSA regional officer, from the
disapproval
of an application or the cancellation of a permit.
Id.
at § 101-20.404(a). The regional officer
is to render a decision
on the appeal within ten days. Id.
at § 101-20.404(c).
In the instant
case, the plaintiff obtained a permit from
defendant Grant
for the period May 4-29, 1992. There is no
suggestion that
the application plaintiff was required to
submit requested
a description of the subject-matter or
content of the
artwork. The permit does not contain the title
of the painting.
The federal
building in Raleigh houses four federal
courtrooms,
the chambers of two United States District Judges
and one United
States Magistrate Judge, the main offices of
the Clerk of
the United States District Court for the Eastern
District of
North Carolina, the United States Attorney's
Office, the
United States Marshal's Office, a Postal Service
sorting facility,
and numerous other federal offices. The
building is
secured; its doors are guarded and all who enter
without Government
identification must permit their belongings
to pass through
an X-ray machine for examination and they must
walk through
a magnetometer.
On the morning
of May 4, 1992, the plaintiff conferred with
Grant about
the location for his painting and chose the east
wall of the
main entrance lobby from among several locations
offered by Grant.
According to Grant's declaration, the X-ray
machine is situated
approximately six feet from the wall on
which plaintiff
mounted his painting. The entrance lobby is
approximately
27.8 feet by 18.8 feet, most of which is
occupied by
the x-ray machine, the magnetometer, security
partitions and
various small items of furniture. Until this
incident, the
lobby never had been used for the display of art
under the Act.
Following approximately
an hour of preparation, plaintiff unveiled
his painting entitled "Sex, Laws & Coathangers"
for a
group of five to seven onlookers, including plaintiff's
lawyer and a
photographer from the Raleigh News & Observer
newspaper. According
to Grant, who also was present, and uncontradicted
by the plaintiff, the work bears a painting of
a nude female
and, attached to the canvas, a three-dimensional
representation
of a human fetus and a metal wire coathanger.
The curved end
of the coathanger is partially straightened,
and the coathanger
appears to be dripping blood. The work
measures approximately
ten feet long by seven feet high.
Almost immediately
upon the unveiling, Grant verbally revoked
plaintiff's license, then asked plaintiff to accompany
him to his office
so that he might draft a written notice of
revocation.
The written notice states, inter alia, that
[a]lthough
your display may be in the form of art
[,] it is more
properly described as a political
expression concerning the highly controversial
issue of abortion.
Since your
work is considered to be political in
nature it is not permitted on federal property
and your license
is hereby revoked.
As Grant's
secretary handed him the typed notice, the Chief
Deputy United
States Marshal responsible for building security
entered Grant's
office and informed Grant that the presence of
plaintiff's
work was interfering with his ability to maintain
security in
the lobby. Grant states in his declaration that
"he [the Chief
Deputy] told me in very clear terms that if I
did not remove
the work, he would have to have it taken down."
Grant directed
his assistants to remove the work within an
hour of its
unveiling, and delivered the written notice of
revocation to
plaintiff.
Plaintiff duly
appealed the revocation of his revocable
license through
his attorneys, to defendant David H. Jameson,
Director of
the Real Property Management and Safety Division
in GSA's Region
Four. Jameson affirmed the revocation both
because "the
U.S. Courts in the building are part of the
judicial system
now hearing cases specifically on [the]
subject [of
abortion]," and because "the exhibition interfered
with security
in the building and could cause disruption and
damage to Government
property." Plaintiff did not seek further
review of the
decision by Jameson's supervisor, but, rather,
filed this lawsuit
on July 23, 1992.
Plaintiff describes
the rights he asserts against the individual
defendants in their individual capacities as
follows:
(i) the First
Amendment right to exhibit art work
with a controversial and political theme in a
designated
public forum; (ii) the Fifth Amendment
equal protection
right not to have access to the
forum denied to him based on the content or the
viewpoint of
his work; (iii) the Fifth Amendment
due process right to be informed of and have the
opportunity
to address all potential reasons for
the revocation of his permit through the
governmentally
mandated appeals process that will
stand as final agency action with respect to the
determination
of his right to display his
painting.
Plaintiff's
Memorandum in Opposition to Defendants' Motion
for Partial
Judgment on the Pleadings, or, in the Alternative,
for Partial
Summary Judgment, at 17.
Defendants
Grant and Jameson contend that they are entitled
to qualified
immunity from suit in their individual
capacities,
and it is this contention which is now before
the court.
ANALYSIS
Government
officials performing discretionary functions are
entitled to
qualified immunity when their conduct does not
violate "clearly
established statutory or constitutional
rights of which
a reasonable person would have known."
Harlow
v. Fitzgerald,
457 U.S. 800,
818, 102 S.Ct. 2727, 2738, 73
L.Ed.2d 396 (1982). Under the Harlow
standard for government officials
to be held individually liable for official
discretionary
conduct, "in the light of pre-existing law[,]
the unlawfulness
[of the challenged conduct] must be apparent."
Anderson
v. Creighton,
483 U.S. 635,
640, 107 S.Ct. 3034, 3039, 97
L.Ed.2d 523 (1987). If there is a "legitimate
question" as to
whether the challenged conduct violated
the Constitution, then no "clearly established"
right has
been violated. Mitchell
v. Forsyth,
472 U.S. 511,
535 n. 12,
105 S.Ct. 2806, 2820 n. 12, 86 L.Ed.2d 411 (1985).
Moreover, even
if the asserted right is "clearly established,"
the qualified
immunity defense still protects the official if
"he neither
knew nor should have known of the relevant legal
standard." Harlow,
457 U.S. at 819, 102 S.Ct. at 2738.
The issue of
qualified immunity should be resolved at the
earliest possible
stage of litigation. Anderson,
483 U.S. at 646
n. 6, 107 S.Ct. at 3042 n. 6. Expeditious resolution
of immunity
issues avoids the "substantial social costs" of
subjecting officials
to litigation over their discretionary
conduct, including
distracting them from their duties, inhibiting
their action, and deterring able people from public
service. Id.
at 638, 107 S.Ct. at 3038; Harlow,
457 U.S. at 814,
102 S.Ct. at 2736. Hence, the qualified immunity
of public officials
"is an immunity
from suit
rather than a mere defense to
liability." Mitchell,
472 U.S. at 526, 105 S.Ct. at 2815 (emphasis
in original). It is suggested that discovery not
be allowed
until immunity issues are resolved, for "avoidance
of disruptive
discovery is one of the very purposes for the
official immunity
doctrine." Siegert
v. Gilley,
500 U.S. 226,
___, 111 S.Ct.
1789, 1795, 114 L.Ed.2d 277 (1991); Harlow,
457 U.S.
at 818, 102 S.Ct. at 2738.
I. PRELIMINARY
ISSUES
In ruling on
a defendant's claim of qualified immunity in
this context,
the court must address two preliminary issues.
The court first
must ascertain that the challenged conduct
occurred in
the exercise of a discretionary, rather than in
a ministerial,
official function. The court also must determine
the nature of
the forum in which the alleged Constitutional
violation occurred.
Here, the forum in question is the main
entrance lobby
of the Raleigh, North Carolina, federal
building/post
office/courthouse.
A. Discretionary
Function
Although plaintiff
suggests that Grant's and Jameson's acts
in question
were not discretionary, the court agrees with
the defendants
that Grant's issuing, then revoking, the revocable
permit, and
Jameson's affirming the revocation were
discretionary.
For purposes of the qualified immunity of
government officials,
a "discretionary" function is one that
entails the
exercise of at least a modicum of judgment.
See
Harlow,
457 U.S. at 816, 102 S.Ct. at 2737. "A law [or
regulation]
that fails to specify the precise
action that the official
must take in each
instance creates only discretionary authority."
Davis
v. Scherer,
468 U.S. 183,
196-97 n. 14, 104 S.Ct.
3012, 3020-21 n. 14, 82 L.Ed.2d 139 (1984) (emphasis
added).
Although the
regulations set forth instances which require
denial or revocation
of a permit under the Act, the individual
government official
must exercise judgment and discretion in
determining
whether and how the regulations apply to the
peculiar fact
situation with which he is confronted. The court
concludes that
the undisputed facts herein define discretionary
conduct for qualified immunity purposes.
B. Nature
of Forum
The Constitution
does not require the government to "grant
access to all
who wish to exercise their right to free speech
on every type
of government property. . . ." Cornelius
v. NAACP Legal
Defense & Educational Fund,
473 U.S. 788,
799-800, 105 S.Ct.
3439, 3447, 87 L.Ed.2d 567 (1984). Moreover, the
government has
the right "no less than a private owner of
property, .
. . to preserve the property under its control
for the
use to which it is lawfully dedicated." Perry
Education Ass'n
v. Perry Local Educators' Ass'n,
460 U.S. 37,
46, 103 S.Ct.
948, 955, 74 L.Ed.2d 794 (1983) (citations omitted).
The extent
to which the government can exercise such control,
however, depends
upon "the nature of the relevant forum."
Cornelius,
473 U.S. at 800, 105 S.Ct. at 3448. Only when
the "government
opens facilities not generally available to the
public that
legal questions relating to equal access arise."
Gregoire
v. Centennial School Dist.,
907 F.2d 1366,
1370 (3d Cir.),
cert.
denied,
498 U.S. 899, 111 S.Ct. 253, 112 L.Ed.2d
211 (1990).
The Supreme
Court has defined three distinct types of
forums. First
is the "traditional public forum," such as
streets and
parks which
"have immemorially been held in trust for the
use of the public
and, time out of mind, have been used for purposes
of assembly,
communicating thoughts between citizens, and
discussing public
questions." Hague
v. Committee for Industrial Organization,
307 U.S. 496,
515, 59 S.Ct. 954, 964, 83 L.Ed. 1423
(1939). In a traditional public forum, the government
may not
exclude all speech, and may enforce a content-based
exclusion only
if it is narrowly drawn and serves a "compelling"
government interest. See
Carey v. Brown, 447 U.S. 455,
461-62, 100 S.Ct. 2286, 2290-91, 65 L.Ed.2d 263
(1980).
The second
type of forum is public property which has been
"opened for
use by the public as a place for expressive
activity." Perry,
460 U.S. at 45, 103 S.Ct. at 955. Regulation
of this type
of forum is constitutionally governed, even if
the government
"was not required to create the forum in the first
place." Id.
(citing Widmar
v. Vincent,
454 U.S. 263,
268, 102 S.Ct.
269, 273, 70 L.Ed.2d 440 (1981) (university meeting
facilities)).
This type of forum is a "designated open public
forum," Gregoire,
907 F.2d at 1370, and its use is subject to
the same standards
that apply to a traditional public forum;
that is, in
addition to reasonable content-neutral restrictions
on the time,
place and manner of First Amendment activity,
the government
may impose content-based prohibitions which are
narrowly drawn
to effectuate a compelling government interest.
Perry,
460 U.S. at 46, 103 S.Ct. at 955.
The third distinct
forum is the "non-public forum." It is a
publicly-owned
facility which has been "dedicated to use for
either communicative
or non-communicative purposes but ha[s]
never been designated
for indiscriminate expressive activity
by the general
public." Gregoire,
907 F.2d at 1370-71 (citing United
States Postal Service v. Council of Greenburgh
Civic Associations,
453 U.S. 114,
101 S.Ct. 2676, 69 L.Ed.2d 517 (1981)).
Restrictions on First Amendment activity in non-public
forums must
be "reasonable and not an effort to suppress
expression merely
because public officials oppose the speaker's
view." United
States v. Kokinda,
497 U.S. 720,
730, 110 S.Ct. 3115,
3121, 111 L.Ed.2d 571 (1990) (plurality opinion);
Cornelius,
473 U.S. at 806, 105 S.Ct. at 3451 ("[c]ontrol
over access
to a non-public forum can be based on subject
matter and speaker
identity so long as the distinctions drawn are
reasonable in
light of the purpose served by the forum and are
viewpoint
neutral")
(emphasis added).
There is no
suggestion that the main entrance lobby to the
Raleigh federal
building is a "traditional public forum." The
plaintiff contends
that the lobby is a designated public forum,
and the defendants contend it is a non-public
forum.
The Supreme
Court has suggested a number of factors which
should be examined
to ascertain the government's intent. Among
those factors
are (i) the policy and practice of the
government;
(ii) the nature of the property, Cornelius,
473 U.S. at 802, 105 S.Ct. at 3449; (iii) its
compatibility
with expressive activity; and (iv) the extent
of the
use granted, see
Perry,
460 U.S. at 46-47, 103 S.Ct. at 955-956.
The court should determine whether the facility
is open
to all or whether it has been limited by "well-defined
standards tied
to the nature and function of the forum."
Gregoire,
907 F.2d at 1371.
In the instant
case, the Government's policy
concerning use of
the facility in question is demonstrated by, and
articulated in,
the Federal Buildings Cooperative Use Act and
the Federal Real
Property Management Regulations. The Act and Regulations
thereunder evidence
an intent to provide access to the public
"for the occasional
use of public areas for cultural, educational
and recreational activities." 41 C.F.R. §
101-20.400.
According to Grant's declaration, the practice
with regard
to this particular forum — the main entrance
lobby of the
Raleigh federal building — has been as follows:
the lobby is
designed primarily for entering and
leaving the building and will not accommodate
a gathering
of more than approximately ten persons
without seriously
impeding the flow of traffic
and endangering building security and Government
property. The
doors of the main entrance lobby
are the only entrance to the building that is
open to the
public and for the federal employees
who work in the building. . . . This lobby has
never before
been
used for the display of art under the Public
Buildings Cooperative
Use Act.
Grant's October 23, 1992, Declaration
at 3-4.
The nature
of the property has been described above; the
federal building
houses federal judges' chambers, courtrooms,
federal agencies,
etc. The court takes judicial notice of the
fact that members
of the public entering the lobby would
include those
summoned to jury duty, lawyers and court
personnel, federal
law enforcement agents, victims and witnesses
en route to the United States Attorney's Office,
persons seeking
to file civil actions in federal court, and
school children
on field trips to observe the federal judicial
system in operation.
The compatibility
of the federal building's lobby with expressive
activity is minimal, primarily due to the fact
that it
is quite small, and is devoted primarily to maintaining
the security
of the building. It is entirely unsuitable for
any expressive
activity which would attract a crowd, generate
noise, or incite
disruptive behavior, as any of these factors
would seriously
interfere with maintenance of security in the
building. Moreover,
the court perceives a legitimate interest
by the Government
in preserving a certain elevated level of
decorum within
(and upon) the walls of a building which houses
federal judicial,
executive, and administrative offices. Not
every manner
of expression is compatible with the ambiance
of a government
building.
The "extent
of use granted"
factor in the instant case is difficult
to analyze. Never before had a permit been requested
or granted to
display "art work" in the main entrance lobby
to the
federal building. The permit called for the display
to remain
from May 4-29, 1992, and was accessible during
working hours
from 7:30 a.m. until 5:30 p.m. Because plaintiff
applied for
the permit pursuant to the Act, and it was under
the Act that
the permit was granted, the use was limited, at
least,
to an
extent not inconsistent with the restrictions
set forth in 41
C.F.R. § 101-20.403(a).
Because defendants
made no advance inquiry as to the subject-matter
of the painting, there was no occasion prior to
the unveiling
for defendants to perceive a need to consider
additional specific
restrictions. In short, the extent of use
granted appears
to have been relatively unrestricted because
defendants were
unaware of the nature of the "art work."
Careful consideration
of the foregoing factors, as well as the
parties' arguments and the court's personal experience
with the forum
in question, leads to the conclusion that the
main entrance
lobby of the Raleigh, North Carolina, federal
building/post
office/courthouse is a non-public
forum,
which has
been "dedicated to use for either communicative
or non-communicative
purposes but ha[s] never been designated for
indiscriminate
expressive activity by the general public."
Gregoire,
907 F.2d at 1370-71 (citing Greenburgh,
453 U.S. 114,
101 S.Ct. 2676,
69 L.Ed.2d 517 (1981)).
In summary,
the court concludes that the individual
defendants were
acting in a discretionary capacity with regard
to a non-public
forum. The Supreme Court has determined that
in such a forum,
"[c]ontrol over access . . . can be based on
subject matter
and speaker identity so long as the distinctions
drawn are reasonable in light of the purpose
served by the
forum and
are viewpoint
neutral."
Cornelius,
473 U.S.
at 806, 105 S.Ct. at 3451 (emphasis added).
II. QUALIFIED
IMMUNITY
Because the
individual defendants have claimed qualified
immunity from
suit, the court now must determine whether, in
performing the
discretionary functions which are at issue in
this action,
they engaged in conduct that violated "clearly
established
statutory or constitutional rights of which a
reasonable person
would have known." Harlow,
457 U.S. at 818, 102
S.Ct. at 2738. In addressing the Harlow
test, the court finds
Judge Phillips' concurring opinion most instructive
in Collinson
v. Gott,
895 F.2d 994
(4th Cir. 1990) (per curiam), and
will refer extensively to it.
Judge Phillips
advises that three inquiries are necessary in
analyzing a
claim of qualified immunity. First, the court
must "identify
the specific
constitutional right allegedly violated."
Id.
at 998. Next, the court should inquire whether
at the time
of the alleged
violation that right was clearly established.
Id.
These first two questions present pure questions
of law for the
court. Id.
(citing Anderson
v. Creighton,
483 U.S. 635,
107 S.Ct.
3034, 97 L.Ed.2d 523 (1987)). Finally, a determination
must be made
whether a reasonable person in the official's
position would
have known that his conduct would violate that
specific constitutional
right. Id.
This final inquiry requires application
of the objective Harlow
test, but sometimes may require
factual determinations regarding a defendant's
conduct and
its circumstances in order for the court to apply
the Harlow
test as a matter of law. Id.
A. Specific
Constitutional Rights
In applying
the Harlow
test, the focus here is "not upon the right
at its most general or abstract level, but upon
its application
to the particular conduct being challenged."
Collinson,
895 F.2d at 998. The general Constitutional rights
allegedly violated
are the First Amendment right to free speech,
and the Fifth Amendment rights to equal protection
and due
process. The court perceives the alleged specific
"rights" in
question here to be:
(i) the First
Amendment "right" to exhibit a ten foot by
seven foot painting,
entitled "Sex, Laws & Coathangers,"
depicting a
nude woman, a three dimensional portrayal of a
human fetus
and a wire coathanger whose bent end appears to
be dripping
blood, in the main entrance lobby of a federal
building/post
office/courthouse — a non-public forum;
(ii) the Fifth
Amendment equal protection "right" not to
have a permit
to display such a painting in a non-public forum
denied on the
basis of the painting's content or viewpoint;
and
(iii) the Fifth
Amendment due process "right" to prior
notice and opportunity
for hearing, and a "final" administrative
decision upon which to base an appeal, with
regard to a
Government official's discretionary decision to
revoke a permit
to display such a painting.
Having thus
identified the specific conduct which plaintiff
contends violated
certain of his constitutional rights, the
next inquiry
is whether, on May 4, 1992, those alleged
specific constitutional
rights were "clearly established."
B. Rights
Clearly Established
The First and
Fifth Amendment rights to free speech, due
process and
equal protection certainly are clearly
established.
However, for purposes of qualified immunity
analysis, the
court must determine whether the specific
application
of those rights in the context of the peculiar
facts confronting
the Government officials at the relevant
time should
have been apparent.
In tackling
this inquiry in the context of a County
Commissioner
refusing a citizen the opportunity fully to
express himself
at a public meeting, Judge Phillips in
Collinson
noted that "it would appear that no federal court
up to
that time had ever directly held that such an
ad
hoc parliamentary
ruling could or had violated a speaker's first
amendment speech
rights." Collinson,
895 F.2d at 999 (footnote omitted).
He went on to observe, however, that absence of
precedent "alone
does not establish entitlement to qualified
immunity here,
but it surely bears heavily on whether the
unlawfulness
of the conduct challenged here if it be
unlawful should
have been apparent to a reasonable official
in [defendant's]
position."
Disregarding
for the moment the exigency Grant obviously
perceived upon
the unveiling, had he been afforded the luxury
of consulting
with counsel who, in turn, had the time,
expertise and
resources to expend on a thorough legal research
expedition,
he would have learned that there appear to be
few reported
cases whose facts closely resemble this one. Three
of the
most similar on their facts, reach divergent results.
Chronologically,
the first of these is Sefick
v. City of Chicago,
485 F. Supp. 644
(N.D.Ill. 1979). In Sefick,
an artist (who
happened also to be a federal probation and parole
officer) obtained
permission to display three different tableaus
at the Richard J. Daley Civic Center. The tableaus
comprised sculpted
figures, and tape recordings which conveyed
social or political
messages. The artist
described the tableau scheduled for the third
week as a
"Chicago portrayal of Grant Woods' famous painting
American Gothic
in plaster. The life-sized figures are contemporaries
of Chicago society.
Husband, wife and child make up the setting."
Id.
at 646. The tableau, in fact, "satirized the
handling by
then-mayor Michael Bilandic of the snow removal
operation necessitated
by the record snowfall . . . during the
winter of 1979."
Id.
Ms. Farina
of the Chicago Council on Fine Arts, who issued
the permit to
display the tableaus, contacted the artist upon
viewing this
third exhibit, and asked him to remove it; she
then covered
it with a blanket. The City's position was that
the permit was
revoked due to variance of the actual work with
the prior description,
although Ms. Farina admitted that she found
the tableau inappropriate because it singled out
identifiable
individuals for ridicule. Id.
at 650 n. 17. The plaintiff,
of course, contended that "the artistic expression
of social and
political views is protected speech under the
first amendment."
Id.
at 648.
The court found
that the Civic Center was a designated
public forum,
that there had been no prior expression of
concern that
the first two tableaus might be perceived as
representing
official city viewpoint, and that the defendants
revoked the
permit because of their objection to the social
and political
nature of the third tableau. Hence, the court
granted injunctive
relief to the plaintiff and against the
City.
In 1988, the
Second Circuit Court of Appeals was confronted
with a situation
in which a sculptor had sued the GSA for
removing a "site-specific"
sculpture GSA had commissioned him to
create. Serra
v. United States General Services Administration,
847 F.2d 1045
(2d Cir. 1988). The 12 foot tall, 120
foot long steel structure was installed in the
center of Federal
Plaza in lower Manhattan, New York. Almost immediately
upon its installation,
the public complaints began. Objections
included the
sculpture's unappealing aesthetic qualities as
well as the
physical obstruction it presented to pedestrian
federal employees
and area residents.
GSA conducted
a hearing after which it recommended that the
sculpture be
relocated. The artist and his counsel were
afforded an
opportunity to voice their concerns. GSA rendered
a decision to
relocate the sculpture, because it interfered
with the public's
use of the Federal Plaza. The GSA administrators
were dismissed from the suit in their individual
capacities on ground of qualified immunity.
In upholding
summary judgment against Serra's Constitutional
claims, the
Appeals Court pointed to "GSA's clearly
established
authority to maintain, operate, and alter federal
buildings. .
. ., which in turn derives from Congress' power
under the constitution
`to dispose of and make all needful Rules
and Regulations respecting the . . . Property
belonging to
the United States.'" Id.
at 1049 (citations omitted). The court
also noted that the artist was unable to identify
any particular
message conveyed by his sculpture which he believes
led to its removal.
Id.
at 1051. Finally, with regard to the First
Amendment claim, the court flatly stated that:
GSA, which
is charged with providing office space
for federal
employees, may remove from its
buildings artworks that it decides are
aesthetically
unsuitable for particular
locations. Moreover, the Supreme Court has
consistently
recognized that consideration of
aesthetics
is a legitimate government function that
does
not render a decision to restrict expression
impermissibly
content-based.
Id.
(emphasis added) (citations omitted). Thus, the
Serra
court found
no unconstitutional conduct by GSA in removing
the "artwork"
for reasons of aesthetics and convenience.
Finally, there
is Amato
v. Wilentz,
753 F. Supp. 543
(D.N.J. 1990),
vacated
on other grounds,
952 F.2d 742
(3d Cir. 1991), in
which the district court had found First Amendment
violations in
the state Supreme Court Chief Justice's order
forbidding the
Essex County Courthouse from being used as the
site for filming
a scene for the movie, "Bonfire of the
Vanities," in
which African American spectators were depicted
engaging in
riotous behavior in a courtroom. The Chief Justice
had stated concern
for the judiciary's need
to "avoid further eroding . . . the confidence
of blacks and
other minorities in the judicial system." Id.
at 557.
Partly because
the Essex County Courthouse previously had
been used in
filming numerous diverse motion pictures, the
district court
determined that the courthouse was a designated
public forum.
It found the Chief Justice's motivation to be
"nothing more
than an attempt to bolster the reputation of the
Court by infringing
upon the constitutional rights of others,"
and that a simple
disclaimer would have constituted a far
narrower means
to protect the interest, if any, in a correlation
between the judiciary and the black communities'
perception of
judicial insensitivity. Id.
at 558.
Most importantly,
however, was the district court's distinction
between suppression of content
and suppression of viewpoint,
and its observation that the Chief Justice failed
to recognize
such distinction. As Judge Phillips aptly put
it in Collinson,
"[t]he limits [of official discretion] can be
found in
the well-established principle that the primary
concern of the
no-censorship-of-content requirement is with speaker
viewpoint rather
than with subject matter per
se."
Collinson,
895 F.2d at 1000. That is, reasonable content-based
restrictions
are permissible so long as the actual purpose
is not
to prevent expression of a particular viewpoint.
The district
court in Amato
concluded that, although the unconstitutionality
of viewpoint discrimination is well established,
it was not
well established that the "principle
would apply to the unique facts of this case."
Amato,
753 F. Supp. at 562. The court explained that
[t]here are
simply too many grey areas, both
procedural and substantive, for this court to
conclude that
the Chief Justice's action violated
"clearly established" law. This defendant acted
in uncharted
constitutional waters and is thus
entitled to be protected by the principles of
qualified immunity.
Id.
at 562.
Thus, had the
Government officials in the instant case had
the advantage
of researching the particular legal issue
presented here,
they presumably would have discovered a case
finding a First
Amendment violation and issuing an injunction
(Sefick),
a case finding no First Amendment violation (Serra),
a case finding
a First Amendment violation but finding the
government official
entitled to qualified immunity, then having
the case vacated
on other grounds (Amato),
and a scholarly concurring
opinion in a Fourth Circuit case finding the
defendant entitled
to qualified immunity and therefore not
reaching the
question whether there was a Constitutional
violation (Collinson).
Here, as in
Amato
and Collinson,
the court concludes that the no-censorship-of-viewpoint
principle was well-established on the
date in question. It further concludes that reasonably
competent government
officials in defendants' positions would
have known that
they could not constitutionally revoke the
plaintiff's
revocable permit if they "had no reasonable basis
for fearing
disruption, or if [their] actual purpose was to
prevent expression
of [the artist's] viewpoint on the [abortion]
issue." Collinson,
895 F.2d at 1000.
However, these
conclusions do not end the court's inquiry.
As cogently
expressed in Judge Phillips' opinion in
Collinson:
[H]ere we encounter
difficult conceptual problems
in applying the objective test of qualified
immunity to
the particular type of constitutional
claim here in issue. The problems arise from the
fact that the
first amendment claim here turns
both on [plaintiff's] subjective purpose and on
the objective
reasonableness of his perceptions.
The difficulty this poses for applica
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